MagneticMediaFed

I’m trying to adjust to a new work schedule and so my daily television regiment has been thrown for a loop. (Eight to five? Have to wear a tie? What kind of madness is this?) And since I currently don’t own an actual set and have to wait for content to be loaded online I’ve been at least a day behind on everything. That being said, I wanted to make sure I hit a few points before the weekend:

• Gossip Girl — OMFG. There are cliffhangers, and then there are CLIFFHANGERS. In a way I’m surprised this wasn’t the season finale, but I’m also completely relieved. Since the strike-break, this show has gone from being more or less awesome to unquestionably fantastic.
• Reaper — Speaking of a post-strike resurgence, this show has completely solved its problem with being wildly inconsistent (and sadly predictable) in terms of storytelling and it doesn’t hurt that its also funnier than its ever been.
• Top Chef — Love Stephaine. Love Richard (which is odd since I used to hate Richard… though I still find his hair objectionable on every level. Love Andrew. Like Spike. Like Antonia. Dale? Well Dale is in a gotsa-go situation. I mean Jesus Christ man, RELAX!
• 30 Rock — The Jack in Washington plot line was perhaps the funniest thing that show has ever done. (The rest of the episode wasn’t so bad either.) “It’s not a leak, you can see the report.”

Updated after the jump…

Since Reaper premiered on The CW last fall it’s been on of those series with enough kinetic energy to really become something memorable, but simply without the tools needed to really pull it off. At first it was too formulaic, trying to be an ultra-rigid monster-of-the-week series when its target audience (young people) has begun to demand at least some serialization (something even CSI has acknowledged). By the time the strike rolled around Reaper had found itself in my not-so-important pile, where episodes would sit around on my hard drive or DVR for weeks before I’d get around to watching them.

However, once the show returned in Mid-March it seemed to have found a solution in the form of Ken Marino and Michael Ian Black as two gay, demons living next to Sam and his friends in a lush high-rise apartment. This week’s episode initially seemed to raise the stakes by having the two of them recruit Sam in an effort to overthrow Satan himself. I loved the long-term possibilities of this. I could their plan being carried out over entire seasons. So needless to say I was disappointed when the whole thing appeared to have burnt itself up over the course of one single episode. More after the jump…

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